J ROCKETT EL HOMBRE FIRST PLAY
J Rockett’s tribute to Billy Gibbons offers amp-like feel in a compact box – for that Texan sound and beyond
1. The Gain knob’s wide range certainly covers ZZ Top tones, but it goes beyond that, making this pedal a versatile proposition for any ’board
2. While the three-knob format may be simple, this Bite control is a key to the pedal’s flexibility – tailoring your tone and giving you control over the drive’s top-end presence
3. The El Hombre is compact and has a reassuringly robust enclosure – it’s built to last
The latest drive pedal from J Rockett takes some influence from the classic tones of ZZ Top’s Billy F Gibbons and is named after the mainman of the Tres Hombres. The company says that the pedal’s genesis came about around the same time as Eddie Van Halen’s passing in late 2020. Aware of ZZ Top’s influence on Van Halen, J Rockett’s designers were listening to early ZZ Top records to see if they could hear those influences and then evolved the new pedal from an older design that they’d been working on, which was originally developed to emulate Van Halen sounds.
Like similar J Rockett pedals, this one is nicely compact and reassuringly robust in its construction. It has a basic three-knob control layout with the standard Volume and Gain knobs and a tone knob labelled Bite, which exerts a powerful influence on the sound. At the lowest levels of the Gain knob with the Bite knob set to more or less match your amp tone, you’ll get unity gain at about 11 o’clock on the Volume knob, leaving plenty of extra for a boost.
The Gain knob covers a very wide range from low-level grit right through to something reminiscent of a cranked Marshall Plexi. In between there’s something for everyone and certainly plenty of ZZ Top tones, tempting you to ease into the rhythm from La Grange or crank out Tush, among others. There’s a real amp-like feel as the pedal responds to your playing dynamics and variations of your guitar’s volume knob.
Tonally, the overall sound is solid with well-balanced midrange and no obviously wayward frequencies, but the Bite knob is key to the pedal’s versatility. While it’s great for just tailoring the tone to suit your amp and pickups, it really has a handle on top-end presence in the drive so you can ramp
