Tones behind the tracks

WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b

PETER GILES

The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.

Returning with an album of man-and-guitar Dylan covers, the Eurythmics legend’s playing has never been laid so bare. He tells us about gigging folk clubs underage, the blues in his palette, and a memorable night on the tiles with Robert Zimmerman himself

Two albums recorded 50 years apart – the gear might have stayed the same, but the recording experience is completely different

WHILE MOST DUAL-GUITAR bands tend to have designated roles in terms of what kind of sonic space their members occupy, Momma six-stringers Etta Friedman and Allegra Weingarten enjoy being unrestricted,