Golden goose

2 min read

We have a gander as Electro-Harmonix debuts its enhanced take on Marshall’s Bluesbreaker overdrive sounds

1. You can select between three levels of input gain via the Lift switch, progressively hitting the drive circuit harder. The mid position provides 9dB of gain, while the high position provides 21dB, 2.The Treble knob gradually increases the brightness, while the Bass knob offers a flat response at noon – so from there you can turn the bass up (clockwise) or down (counterclockwise)
Photography Phil Barker

The latest addition to EHX’s extensive range of drive pedals, the Spruce Goose, is based on the pedal circuitry of Marshall’s Bluesbreaker. Here, however, it extends the feature set beyond the recently reissued original to include a choice of three input gain settings, additional output and expanded EQ.

The pedal’s input gain options are accessed via a Lift toggle switch that has low, medium and high settings that progressively hit the input to its drive circuitry harder. At its low setting, you can start with a nicely transparent clean boost with the Volume knob set to the high and lower settings of the Gain knob. Advancing the Gain knob will take you through some early break-up sounds and natural low-level drive.

The Bass and Treble knobs are wide ranging and can exert quite an influence on the overall tone, dialling in what you need to best suit your pickups and amp. The Bass is adept at adding a little girth to single coils, while the Treble knob needs to be set appropriately to match the Gain setting. Lower positions of the Gain knob benefit from upping the Treble knob, while advancing the Gain knob not only turns up the gain but increases top-end presence –something that you may wish to tone down. The low Lift setting may be reason enough to buy the pedal, but you also get medium and high positions that add 9dB and 21dB respectively, and the resultant extra gain and compression can usher in a range of driven amp tones for sustained singing leads.

The Spruce Goose stacks well with other pedals, too, with plenty of options in how you push things up a level, and there’s a nice touch in the pedal’s footswitch allowing momentary engagement of the effect as well as standard latching operation. While latching operation is carried out with a push-and-release until the switch clicks, you can just press it down to make the effect active for as long as you have your foot on it. Once you’ve got the controls set right, it can be useful for emphasising a passage or tipping things over the edge to generate harmoni

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