Some kind of monster

6 min read

One of the most distinctive electric guitars is back as another replica, but this time it’s missing its main visual identifier. Double-cut eruption or paint job disruption?

Photography Phil Barker

Hands up if you’ve ever tinkered with guitar mods. We’d wager that at some point or other we’ve all singed our fingers trying to replace a scratchy pot, turned the air blue as the spring from a pickup screw flies across the room for the third time, or gingerly winced as we make a twist of the Allen key. The late Eddie Van Halen was one such tinkerer, except his ‘bitsa’ mongrel became his implement for dropping jaws and raising the bar, permanently.

As such, you’re most likely already very familiar with the Frankenstein, a guitar that completed Eddie’s jigsaw of mind-melting lead work, telepathic rhythm abilities and groundbreaking manipulation of the instrument itself. Plus, it looked damn cool. “It wasn’t a tape finish, I used tape to paint it that way,” Eddie told us when we had the pleasure of visiting his 5150 studio in 2016. “I have no idea what possessed me to do that! I wish I did, but it’s just one of those things. I have no fucking idea… and now I have a registered trademark on it.”

The finish was just one element of the S-style guitar that Eddie was toting. Loaded with a single humbucker in the bridge position, there’s been plenty of speculation as to what the original pickup actually was.

1. Eddie Van Halen helped to develop the Floyd Rose. As such, his preference was to mount the unit flush. This 1000 Series example can be detuned to drop D thanks to the addition of a D-Tuna. No adjustments needed!
2. Is it really a Frankenstein without the famous trademarked Stripe design? Yes, we’d have to argue that it is. If you want the trimmings of the Frankenstein without it being so obviously a tribute to king Edward, it checks all the boxes
3. Fender’s Mexican factory is a dab-hand when it comes to convincing ageing at non-Custom Shop price points. Here, the body has some light relicing, front and back, and the neck is stained with Heavy Relic satin lacquer

“It’s from a [Gibson ES-] 335. I painted [the 335] white because, of course, I fucked with that, too. But yeah, I yanked it out of there. I took the rear pickup out and it was really hard. I mean, I pretty much destroyed that guitar because you had the f-holes to get to the electronics. Man! Talk about a pain in the ass!”

Following years of homebrew replications by fans to incorporate the Frankenstein’s many design points (‘dummy’ pickup, cavity-mounted switch, Floyd Rose, D-Tuna and so on), in 2007 Eddie teamed up with Fender’s Custom Shop to build the first EVH

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