Hello Guitarist readers. I was honoured to be asked to contribute to this edition, celebrating the magazine’s 40th anniversary and the 70th birthday of the Fender Stratocaster. For my ‘editorial’, I thought I’d share a few thoughts about Strats and other guitars I’ve used over the years.
Leo Fender got it so right with the Strat. The contoured body is so comfortable, and one volume knob controls the three pickups so there are no level discrepancies when switching between pickups. The double-cutaway gives superb access, and the three pickups provide a variety of tones, either singly or in combination. The whammy bar, when set up correctly (as mine are), does not affect the tuning even when violently shaken (but never stirred). Also, the bar could swivel across the strings, unlike a Bigsby, allowing it to be held in the picking hand so you could use it and pick at the same time. And it’s such a cool-looking guitar! When the Fender Custom Shop made my Signature Strats, they copied the body of my 1958 model, and it was observed that the contours were much more flowing and, to quote, “sexier” than the later models. Had I been there when the guitar was designed, I might have gone for a slightly wider fingerboard so that the first string is not pulled off the edge so easily. A five-way pickup switch would have made it easier to access the possible combinations, and locking machineheads would have helped with changing strings and better tuning. Also, the Easy-Mute vibrato bar that I use (designed by Ian St John-White and made with surgical steel, as is the block that is drilled and threaded specifically for the bar that fits it), never gets loose as the originals do.
It hasn’t only been Strats, though. In 1961 bought a Gret
