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Your letters to the Guitarist editor. Drop us a line at guitari
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WHERE DEMAND FOR pedal effects grew exponentially during the early Seventies as musicians sought new sounds, many stomp box designers turned to the synthesizer for new inspiration. Mike Beigel was amo
Manson Guitar Works’ first stompbox delivers a high degree of variation in your fuzz tone
IF YOU’VE SEEN recent footage of Eric Steckel in action, you’ll probably have noticed that his take on the blues is an undeniably aggressive one. It’s a new thing for him, he tells GW, having started
These new Boss pitch-shifting pedals have been a long time in the making, and now they’re here and ready to go toe-to-toe with DigiTech
FEW GUITARISTS HAVE shaped progressive and avant-garde music as profoundly as Robert Fripp. With King Crimson, Brian Eno, David Bowie and others, Fripp perpetually reinvented the six-stringed wheel wi