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Richard Barrett delves into 6/9 chords to uncover the
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
Richard Barrett wraps up this short series on extended chords by taking a look at the often-mystifying world of 13th chords
THE RICKENBACKER 360/12 might not have been the very first 12-string electric guitar to appear on the market — it was preceded by the 12-string necks found on the doubleneck Gibson EDS-1275 and Strato
LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese
A STAPLE OF many great country and country rock songs — and, in the hands of Jimmy Page and Albert Lee, rock songs — is the sound of the B-bender. For those unfamiliar, a B-bender is a string-pulling
ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec