Georgebenson

12 min read

GEORGEBENSON

Now into his sevent h decade as a recording artist, the a ll-time ja zz g reat s

This article is from...

Guitarist Magazine

08 November, 2024

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Uncut

Supersonic!

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Guitarist

Steve stevens

Best known as Billy Idol’s collaborator of 40-plus years, Steve Stevens transcends the punk-rock guitarist mould, taking in flamenco, jazzfusion, prog and classical styles – and he remains as excited about guitar today as he was when he first picked one up

MOJO

Mojo presents

For over 50 years, BEVERLY GLENN-COPELAND has been a secret master of spiritual electronica, receiving inspiration from a “higher power” to provide healing songs for the disenfranchised. Now, he and his wife face long-deserved acclaim and grave new challenges with equanimity. “I can’t explain it, but I feel joyous,” he tells VICTORIA SEGAL .

MOJO

His grace under pressure

In the spring of 1974, DAVID BOWIE arrived in the United States by boat. By the time he left in the spring of 1976, his marriage was ending, his cocaine addiction was spiralling, and he'd become obsessed with Nazis. He'd also made another masterpiece: Station To Station. "We went days without sleeping," his valiant co-conspirators tell GRAYSON HAVER CURRIN. "Inhibitions were out the window."

Uncut

I am the blues

In 1976, the revolutionary singer-songwriter LAURA NYRO returned from self-imposed exile. But her comeback confounded expectations, shifting away from the impassioned intimacies of her early albums to embrace more radical perspectives. Fifty years on, Nyro’s collaborators revisit her striking second act. “She was a hip American from the Bronx,” one friend and producer tells Rob Hughes. “But her soul was old.”