COMPARED TO THE “holy triumvirate” of the Gibson Les Paul Standard and Fender Stratocaster and Telecaster, the Gibson SG Standard is the solidbody guitar equivalent of Rodney Dangerfield — it doesn’t

IF YOU’VE BEEN paying attention to the contemporary guitar scene over the past 24 months, chances are you’ve heard of Mk.gee, everyone’s favorite fast-rising guitar hero who has ushered in a tonal rev

If the Fender Stratocaster is such a perfect design, why – wonders Dave Burrluck – is there a whole industry of aftermarket parts and pickups to improve it?

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Expressing a musical note such that it sounds analogue and ‘real’ is a challenge for developers of sampled sounds, as heard on many digital pianos. The compromises inherent in the technology are why M

It seems to me that old cars are the nearest thing we have to working time machines: they are ideal for triggering memories, or even the feel and flavour of a particular era. Sports cars, of course, a