My brilliant friend

THE ACTOR’S EMOTIONAL DEPTH ON SCREEN HAS SKYROCKETED HIM TO THE TOP OF EVERY DIRECTOR’S WISH LIST. NOW, WITH TWO NEW FILMS ON THE HORIZON – A HEIST THRILLER AND A REMAKE OF A SHAKESPEARE CLASSIC – HE REFLECTS ON HIS UNSTOPPABLE ASCENT

Alíz Kovács-Zöldi considers…

For the National Theatre’s new artistic director Indhu Rubasingham, resilience and a bold strategy are crucial to shaping the British institution’s future. She gives Helena Lee an audience

“I’VE ALWAYS BEEN SUCH A PUNK,” filmmaker Natasha Lyonne muses. “But AI is the thing that’s going to flip me into a hippie. Because now’s the time to get super low to the ground and human.” Lyonne has

I STUDIED AT GOLDSMITHS AND THEN CENTRAL SAINT MARTINs in London, where I was tasked with capturing the energy of the city. These elements of vitality and motion have remained an integral part of my w

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water