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As her solo show opens at the Courtauld, Claudette Johnson tells Frances Hedges
I STUDIED AT GOLDSMITHS AND THEN CENTRAL SAINT MARTINs in London, where I was tasked with capturing the energy of the city. These elements of vitality and motion have remained an integral part of my w
BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water
There are many reasons that an artist’s ambitions can be thwarted, including the decision to become a teacher. Later this month, an exhibition will shine a light on talent obscured by a career in the classroom
LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let
FEATURE NICKY RAMPLEY-CLARKE Jo’s designs are inspired ...
A new exhibition of Neo-Impressionists celebrates an influential art patron
