Following a triumphant awards sweep – last week’s Best Supporting Actress Bafta means an Oscar is the only one remaining – Da’Vine Joy Randolph, 37, hopes people will stop describing her performance in The Holdovers as a “breakthrough” role.
Her first big break, after all, was in 2011, appearing in the West End in London a mere six months after graduating from Yale University in the US with a master’s in musical theatre.
The classically trained opera singer had been cast to play psychic Oda Mae Brown in the Broadway version of Ghost: The Musical, , but was suddenly asked to go to London and take over the role from Sharon D Clarke after she’d been injured.
When she did return to Broadway, her performance earnt her a Tony nomination and she’s been a pretty big deal ever since, co-starring with Hollywood names including Brad Pitt, Sandra Bullock, Eddie Murphy and Steve Martin.
But it’s her performance as The Holdovers’’ school cook Mary Lamb, mourning the death of her son, that has melted even the stoniest of hearts.
CHANGE OF TONE
A Christmas release in many countries, The Holdovers was that rare holiday film that didn’t rely on a saccharine script wrapped up in a mistletoe kiss.
“Part of what attracted me to this is that I was like: ‘Oh, this can be an anthem for people that are going through a tough time for a large majority of the holiday season,’” Da’Vine says.
“Can you imagine being depressed and sad and you have to watch Jingle All the Way?? It’s insult to injury.
“I’m actually surprised no one’s ever done something a little more realistic in this manner before.”
Having spent much of her own youth living in a boarding school, albeit not an elite private one like in The Holdovers,, Da’Vine felt right at home on the set.
She was 11 years old when she and her younger sister, Brittney, moved from Philadelphia to the Pennsylvania suburb of Hershey after her parents, Michael and Joyce, became houseparents at the Milton Hershey boarding school for disadvantaged students. Da’Vine likens the experience to having dozens of brothers and sisters and says it was “awesome”.
After joining her high school choir, she developed a serious interest in singing, originally aspiring to be an R&B singer but switching to classical music after being mentored by voice teacher Gwendolyn Lentz.
“She saw in me the potential of being a true performer or an opera singer and I developed a love for classical music,” she says.
FROM A NANNY TO A STAR
Describing Da’Vine as being like a daughter to her, Gwendo
