Alice Robertontalks to artist Tess Chodan, also known as Hunter + Collector
Having experienced various jobs throughout her life, it was while working as a vintage and antique dealer that Tess started on a path to becoming the artist she is today. Now devoted to sourcing antique entomology collections of butterflies, moths, and beetles, she restores her finds to create unique artworks, marrying delicate insects with antique objects and textiles.
What sparked your interest in antiques?
I remember my dad bringing back a framed piece with old butterflies from one of his many travels overseas. I am convinced this was the flame that ignited what is now my passion and work. However, it wasn’t until I was in my thirties that I really grew to love antique and vintage objects. The discovery of a box of Edwardian-era moths at the Giant Shepton Flea Market some years later, while selling carefully chosen wares with my friend, Sarah Christie of Smouk Interiors, set me on my artistic journey.
How important are antiques to your work?
Antiques are absolutely central to my artistic practice; they inform my work and inspire the stories I want to tell. My search for antique entomological specimens is never-ending, and I now have around 3,000. Those in my own collection are all housed in antique drawers; some of my butterflies are over 150 years old, their little data labels recording the name of the original collector. I am always on the hunt for unusual objects to use as containers for my work – industrial gauges, clock cases, barographs, instrument cases, domes, silver pocket watch cases, and ormolu jewellery boxes. I also use antique frames for my 2D works, which I often combine with antique textiles.
For you, what is the thrill of the fair? Setting my alarm for some ungodly time and stepping out into the darkness to a world that unfolds at dawn! I always go with an open mind, waiting to unearth the next incredible object that will get my creative juices flowing. The life of an artist is fairly solitary, so I relish the chance to see my antiques buddies, some of whom I’ve known for two decades. Dealers are fundamentally creative people; their knowledge of a specialised field is often second to none, as are their connections with buyers. It’s truly inspiring.
Which fairs do you enjoy? For the past 20 years, fairs have been central to my life. I’ve dragged my family around brocantes in France, exhibited at the very chic and high-end AAADA Antiques & Art Fair in Sydney, and have sold and sourced at UK fairs. I have a soft spot fo
