Out of the ordinary

4 min read

HOUSE 1

On one unusual renovation, interior designer Neal Beckstedt brought harmony – and beauty – to two very distinct spaces

NEW-BUILD SITTING ROOM The decor here has a modernist feel with clean lines, but the bold colours tie in with the more exuberant decor of the family’s farmhouse. Artwork, Fernand Léger and Roland Brice at L’Atelier 55. Chair, Galerie Half. Daybed in Kintbury Stripe fabric, John Rosselli
PHOTOGRAPHY STEPHEN KENT JOHNSON/OTTO
NEW-BUILD SITTING ROOM Rounded silhouettes complement the graphic lines of the windows, while pops of mustard echo the oil painting. Alpha chairs, Pierre Paulin at Ralph Pucci. Angelo Mangiarotti coffee table, Bernd Goeckler Antiques. Artwork, Kehinde Wiley at Stephen Friedman Gallery
NEW-BUILD STUDY ‘I really wanted to tie this space in with the garden, so we chose green leather panels for the walls,’ says Neal, who sourced the antique reed rug from Marrakesh. Vintage Phoenix table lamp, Sidse Werner for Holmegaard at Novac Vintage. Bamboo ladder, Neal Beckstedt Studio. Leather panels, Dualoy Leather

Coming upon oversized florals festooned across double-height walls and a pitched ceiling in a East Hampton heritage house feels a little incongruous. And it turns out that the dramatic Josef Frank linen wall treatment is just one in a series of unexpected choices made by the couple who live there with their young family.

The far-from-ordinary renovation, overseen by New York-based interior designer Neal Beckstedt, brings a whole new meaning to the concept of ‘old meets new’. It entailed restoring a late- 18th-century saltbox house and decorating an adjacent sleek no-frills new build that the couple commissioned from Architecture Outf it. Tasked with marrying these two distinct styles, Neal conceived a farmhouse whose decor recreates the natural world via leaf-laden fabrics and autumnal hues, while the modern structure’s more minimal schemes look outward, paying homage to the garden beyond. ‘But there is a note of cohesion running through both buildings,’ says Neal. ‘The spaces, used equally by the family, each have a European sensibility with an emphasis on colour, fabric and design classics.’

The couple’s collection of unusual f inds, notably a ceramic wall hanging by Fernand Léger and Roland Brice, prompted relaxed neutral schemes in the new build, interspersed with pops of colour. ‘We wanted to be brave enough to do something atypical,’ says Neal. ‘A traditional Long Island home is beachy, but a bit buttoned up; either that or it’s all poured concrete and glass, which can feel a bit sterile. We wanted to add warmth and youthfulness and enjoy the interplay of new and old sitting side by side.’

Much of that informality came from spending time with the couple and their children and, in particular, observing the owner’s wardrobe. ‘One day,

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