English heritage

4 min read

A modern take on classic English style has brought effortless charm to this completely reinvented Australian home

SITTING ROOM

This scheme is a joyful celebration of different prints and colours.

Ottoman, Facebook Marketplace; upholstered in Vita, Lisa Fine Textiles. Cushions in yellow check, Brunschwig & Fils; yellow stripe, Nicky Haslam; blue floral, vintage Schumacher, Etsy. Vintage Bakhtiari rug; for similar, try Rugvista. Moroccan-style table, Maine House Interiors
PHOTOGRAPHY LISA COHEN

THE SUMMER ROOM

This was earmarked as a relaxation zone for adults.

Sofa, Arthur G; upholstered in Ralph Lauren fabric. Painting, client’s own. Antique rug, Cadrys. Lamp base, auction find; shade in bespoke Ian Sanderson print. Cushions in vintage fabrics, Etsy

DINING AREA

A round table breaks up the elongated space.

Dining table, Provincial Home Living; try Oakland Rustic Oak round table, The Cotswold Company. Faux bamboo chairs painted in gloss red; similar colour, Atomic Red, Little Greene

KITCHEN

Wood and rattan bring natural warmth to the brilliant white backdrop.

White gloss Zellige tiles, National Tiles; try Natural Stone Consulting for similar. Rattan and timber bar stools, Facebook Marketplace; find similar at Vinterior. Table lamp, Urban Edge. Diamond Tulip wallpaper, Polly Fern

When I first saw this house, I knew it was perfect for my sister and her family,’ says interior designer Amy Spargo of Maine House Interiors. ‘It was screaming out for love and I realised we could make it into something special.’ The house in question was a tired two-storey wooden 1970s building situated on the Mornington Peninsula in Victoria, Australia. Hidden behind a row of trees and a mere ten-minute walk from the beach, the property was in an idyllic location. Amy’s sister Clementine and her husband Matt agreed that it could be the perfect family home to raise their three young children, Harry, Ralph and Florence. ‘Clementine and I both adore English design,’ says Amy. ‘So I knew we’d work well together creating the aesthetic she wanted.’

The brief was simple: Clementine and Matt wanted a home that was full of colour and pattern, that had a place for their art and would be a fun yet calm space for their family. ‘The ideas flowed between us,’ says Amy, ‘but where I felt I added most value was steering Clementine into the decisions of where to focus her attention and what could be left as is to save money.’ One of the earliest decisions taken was to tackle the small entrance to the home. Amy and Clementine agreed the current layout created a bottleneck and ruined the flow, so they demolished the entry storage room and took away a door to help create a more open feel. The removal of a chunky and unsafe balustrade allowed the space to breathe. Finally, an art deco-style ceili

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