‘a great joy to thousands of soldiers’

7 min read

THE WAR YEARS

Throughout World War II, the Horse & Hound team never missed publishing the magazine, despite the editor being killed in a bombing, sport being decimated and the printers being shelled. Former H&H deputy editor Pippa Cuckson discovers a Blitz-spirit mentality that held the magazine together and boosted morale in those dark years

Business as usual: Horse & Hound staff continue to work as normal, like many others, publishing the magazine every single week throughout World War II despite being surrounded by devastation years
News of the death of Horse & Hound’s editor of 50 years, Arthur Portman, and his wife is announced following the bombing of their home in London during the Blitz
Horse & Hound appears on the news stand every Friday throughout World War II, even diversifying to reporting on racing in Jamaica.

AT the height of 1980s trade union disruption, Horse & Hound’s editorial team joined the National Union of Journalists in a walkout to support the miners’ strike.

I recall the late Michael Clayton, our editor, reproaching us for losing an issue – something “Hitler’s bombs” never achieved.

It is office legend that H&H reached the news stands every Friday throughout the 1939–45 war. Now, recently unearthed documents provide further insight into the efforts of a depleted team to keep H&H alive when other periodicals gave up, despite numerous setbacks including losing its beloved editor in the Blitz.

In September 1939, Britain declared war on Germany, which had invaded Pictures by Alamy Poland. Until then, H&H had been doing well under its editor and proprietor Arthur Portman, son of the founder and a renowned racing journalist. It sold 22,000 copies a week, with advertising revenue improving following the appointment in 1933 of Walter Case as commercial manager and company secretary; he earned 20% commission on new business.

Magazines give soldiers on the front line a morale boost, providing a sense of normality during the fighting. In this photo dating from 1915, British soldiers are seen in a trench posing during World War I with a copy of Tatler.

IN those days, military personnel were the backbone of most elite equestrian sport. So when this vast cohort disappeared to fight, soon joined by thousands of civilian volunteers, precious few top-level riders, jockeys, polo players, organisers or judges remained to service the main domestic events.

All international shows were cancelled in Nazi-occupied Europe, with no more Olympic Games until 1948. Overnight there was more or less nothing to report until some activity quietly resumed in 1943 (including the new “Wings for Victory” show approved by The King, which we now know as Royal Windsor).

Moreover, while no