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Interview
Rodeo FX’s Deak Ferrand tells Trevor Hogg why being in the p
The Lost Bear Studios founder on the spark behind his passion, why he keeps a secret sketchbook and his advice for budding artists
The expert illustrator shares his story, tells us about his sketching habits, and gives an insight into his workflow for creating stunning book covers
THE ACTOR’S EMOTIONAL DEPTH ON SCREEN HAS SKYROCKETED HIM TO THE TOP OF EVERY DIRECTOR’S WISH LIST. NOW, WITH TWO NEW FILMS ON THE HORIZON – A HEIST THRILLER AND A REMAKE OF A SHAKESPEARE CLASSIC – HE REFLECTS ON HIS UNSTOPPABLE ASCENT
AFTER THE RELEASE OF DOOM, FOR A WHILE THERE WAS ONE NAME TO SUM UP SIMILAR GAMES: DOOM CLONE. THIS EVEN APPLIED TO GAMES LIKE DESCENT, EVEN THOUGH THE ONLY THING IT HAD IN COMMON WITH DOOM WAS ITS FIRST-PERSON PERSPECTIVE
“I’VE ALWAYS BEEN SUCH A PUNK,” filmmaker Natasha Lyonne muses. “But AI is the thing that’s going to flip me into a hippie. Because now’s the time to get super low to the ground and human.” Lyonne has
“ I love driving above 300kph and listening to Firestarter by The Prodigy,” remarks Frank Heyl. Bugatti’s director of design might have told people this before, but it’s unlikely that anyone will ever