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YOUR FEEDBACK & OPINIONS
Contact the editor, Rob Redman, on mail@imagi
To create this year’s TIME100 AI cover, artist Refik Anadol fine-tuned his studio’s AI system on an archive containing each of TIME’s more than 5,000 covers to date, spanning over 100 years. The resul
“I’VE ALWAYS BEEN SUCH A PUNK,” filmmaker Natasha Lyonne muses. “But AI is the thing that’s going to flip me into a hippie. Because now’s the time to get super low to the ground and human.” Lyonne has
STUART RUSSELL RECEIVES FOUR OR five emails a day from people who seem to be in the grips of psychosis, convinced their AI chatbot of choice is suddenly conscious. “It’s appointing them as its emissar
MATTHEW PRINCE HAD TO BE CON-verted to the belief that AI is eating the web. It was 18 months ago that he started getting calls from media executives, who complained to him about AI companies copying
From bold comic panels to delicate picture books, Clip Studio Paint gives artists the tools, freedom and flair to bring any creative vision to life
JOANNE JANG SEES HER WORK AS “empowering users to fulfill their goals” right up to the point of not causing harm or infringing on others’ freedoms. “AI-lab employees should not be the arbiters of what