Create a striking catwoman cover

2 min read

Photoshop

David Nakayama details his process for des

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Imagine FX Magazine

Creature features and devilishly good art appear in the personal work of this artist

Wendy Evans recreates one of those disposable, trashy sci-fi covers from the 1950s

Illustrator MAX DUNBAR reveals how he draws an original fantasy figure using pencil, pens and grey tone markers

Renowned illustrator Chris Legaspi reveals how he establishes the composition and brings his figurative art to life using light and shadow

Screen break Tanya Combrinck finds out that creative talent alone won’t open doors to the movie industry

Multiple choice A range of workstations and stacks of art and books make up this LA artist’s long-occupied space

Creature features and devilishly good art appear in the personal work of this artist

Wendy Evans recreates one of those disposable, trashy sci-fi covers from the 1950s

Illustrator MAX DUNBAR reveals how he draws an original fantasy figure using pencil, pens and grey tone markers

Renowned illustrator Chris Legaspi reveals how he establishes the composition and brings his figurative art to life using light and shadow

Screen break Tanya Combrinck finds out that creative talent alone won’t open doors to the movie industry

Multiple choice A range of workstations and stacks of art and books make up this LA artist’s long-occupied space