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Tasia M.S. explains the key details of her ma
WHEN TRAVELLING IN SICILY, it is impossible not to be captivated by the strong identity of light. It’s almost as if it were a living creature: restless, always in motion, forever changing. The way it
LITTLE CAPTURES THE SPIRIT OF CHRISTMAS more perfectly than a puppy nestled beneath the tree, bringing to mind the twinkle of festive lights, the glow of December evenings and that unmistakable mix of
BASED IN NORTHERN IRELAND, Janice Lightowler works in oil and graphite. When working on her oil paintings, she uses only one small brush, irrespective of the size of the piece, and later attaches that
Every month, we trawl the nation’s coastline to bring you news of the people, places and exciting goings-on that are worth knowing about
Awash is a fundamental watercolour technique and so it makes sense to start these twelve articles by delving into their beauty with a look at how they are created and interact with one another to buil
You will learn How to add texture to a pastel painting Using mark-making effectively for light and water Working with wet and dry pastel layers When I was asked to create a demo that included a variat