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John A. Frye uses just a single brush to tr
PUTTING THE PEDAL TO THE METAL IN
With his vivid Grand Prix studies, James Stevens has become a true master of portraits, even when the star subject is limited to a pair of eyes peering out from a full-face helmet. Visitors to his sta
James Abbott explains how to boost plain skies in your cityscapes, with four simple but effective Photoshop techniques
HARD AND SOFT SURFACES TRANSITION DELIBERATELY, AVOIDING OVER SCULPTING HIGH-MOUNTED REAR EXHAUST ANCHORS REAR DESIGN AS A CENTERPIECE EDGES ARE CRISP, ALMOST KNIFE-LIKE, REINFORCING TECHNICAL CHARACT
I SUCCUMBED. OR, as younger people say, I caved. I’d been looking at my Phantom’s bodywork (the victim of a blow-over respray prior to my renewed ownership, after a white ‘wrap’ was removed) and alway
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