Benedict Brain searches his archives for the inspiration to escape winter’s creative doldrum

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

I just adore street scenes, I am fascinated with the colours the shapes and the atmosphere. Streets are different all over the world. I love the interaction with people and the energy. This project wi

James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish

Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2