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Pencil
Learn how JULIÁN DE LA MOTA creates a compo
SOMETIMES THE INSPIRATION FOR YOUR NEXT PAINTING can be right in front of you – literally. Trying to find the correct subject with great lighting and composition is quite an art: a lot of images won’t
Charcoal
Follow along as Eliza Ivanova explains her process for colouring artwork digitally without losing that innate sketchbook charm
1 Start by putting in the main facial features. Using Dark Sepia and Van Dyck Brown, add outlines for the eyes, nose and mouth (define the pupils and nostrils as well) and once you’re happy, add a sec
Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig
In my opinion, British summers are rather fantastic, especially when spent in a garden. Even if you’re not naturally green-fingered, being a painter gives you a wonderful opportunity to enjoy and enga