Kerry James Marshall, ‘poised between narrative and allegory’

I first explored this subject about five years ago, under the title ‘It’s a bug’s life’. I now want to revisit the subject primarily because I have experimented further and wish to share some of my di

I first explored this subject about five years ago, under the title ‘It’s a bug’s life’. I now want to revisit the subject primarily because I have experimented further and wish to share some of my di

BASED IN NORTHERN IRELAND, Janice Lightowler works in oil and graphite. When working on her oil paintings, she uses only one small brush, irrespective of the size of the piece, and later attaches that

The best equestrian artists strike a rich chord, touching us on a deeper level than mere aesthetic appeal. Catherine Austen finds out which paintings speak to art-loving riders

Still Life Flowers in a Jug at Charleston, ...