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Cinematic edits
How to give your colours, tones and composition a c
Let’s play with Photoshop’s hue, saturation and colour tools, says James Abbott, for four effects that work with most images
In this fourth part of our guide to PhotoLab, Wendy Evans looks at the colour options
Forget super-sharp digital, step back in time with ...
Light is photography’s raw ingredient, so James Abbott explains four ways to adjust the luminance using Photoshop
Sean McCormack helps make your portraits glow in Lightroom
Forget super–sharp digital; step back in time with classic styles