Threading nature’s flow into canvas

Emma of Ann’s Orchard blends curiosity, storytelling and quiet craft, in her Sussex studio. After trading lab coats for linen, Emma Pavier has spent the past decade shaping Ann’s Orchard into a deeply

Inspired by the tones and textures of the Brecon Beacons, designer Dee Hardwicke shares her philosophical approach to knitting with a global community of crafters and blue-chip clients

This month, try your hand at monoprinting in Cornwall, dress an autumnal table with a beautiful layered look and try out the perfect seasonal scent for the home

LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let

What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water