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Part 2 Follow Mike Rollins as he paints the tractor in the snow using a variety of
You will learn Painting winter light effectively Applying texture using tools Balancing variety with clarity The painting Morning Light at Marple Locks was born from one of those early winter mornings
A lovely old cow field barn, set against snow-covered hills somewhere in upper Swaledale: how could I resist? I’ve lost count of the number of barns I’ve drawn and painted over the last few years, but
AT THE HEART OF MY OWN PRACTICE lies observation and my wish to capture atmosphere of the place, wherever that may be. To achieve this, I like to work en plein air observing the new scenes and alla pr
Having sat patiently on a shelf for a few years, the time has come for this Andrew Barclay 040ST to shine, as Chris Nevard portrays an oily, dusty and careworn industrial workhorse.
During my recent visit to London, a sudden downpour completely transformed the energy of Piccadilly Circus. While others hurried for cover, I stood mesmerised by how the rain softened the city’s sharp
James Abbott explains how to boost plain skies in your cityscapes, with four simple but effective Photoshop techniques