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Part 1 Robert Newcombe introduces this month’s painting project from a photograph,
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e
When I came across a gorgeous photo of a red squirrel, I felt the urge to immortalise his cheeky face and create the tactile textures on the tree trunk that the squirrel was hiding behind. The out-of-
Autumn brings a splash of golden warmth, when leaves start transforming from green to rich golds and russet reds. It can be quite daunting to know where to start when interpreting a mass of foliage wh
Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from
Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng