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Part 3 How to paint a trigger fish on a textured background, wit
AT THE HEART OF MY OWN PRACTICE lies observation and my wish to capture atmosphere of the place, wherever that may be. To achieve this, I like to work en plein air observing the new scenes and alla pr
Put simply, tone helps the viewer decode what is in a painting by delineating shapes and describing surfaces by the amount of light reflected from them. A variety of tone can be interesting and create
Did somebody say pebbleroni pizza? Delicate-coloured doughnuts, loaves of fresh baked bread... they might look good enough to eat but careful, you might break a tooth! Anna Llewellyn has found comfort in creating these beautiful works of pebble art...
I was born and grew up in Bristol, which wasn’t the polished art mecca it is now. The dock area was scattered with derelict remnants of industry. However, this presented an exciting playground for us
Watercolour painting requires planning. Most paintings are done in layers, working from lightest to darkest and using the white of the paper as a highlight. So how do you approach a media that is hard
I HAVE ALWAYS BEEN FASCINATED BY THE MONA LISA. Not just because it is famous, but because the more you look, the more you notice: the softness of the shadows, the quiet glow in the skin, the way the