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Part 3 How to use traditional oil glazes to achieve a richer, more compl
AT THE HEART OF MY OWN PRACTICE lies observation and my wish to capture atmosphere of the place, wherever that may be. To achieve this, I like to work en plein air observing the new scenes and alla pr
During my recent visit to London, a sudden downpour completely transformed the energy of Piccadilly Circus. While others hurried for cover, I stood mesmerised by how the rain softened the city’s sharp
STILL LIFE PAINTING, with the great contributions of artists like Cezanne, Matisse and Van Gogh, came into the realm of important topics for serious painters by the end of the 19th century. Once, like
With the advent of spring and the lengthening days I look to our skies once again and begin to enjoy observing the clouds as the sun appears and disappears behind and between them. Grey is useful to d
You will learn Painting winter light effectively Applying texture using tools Balancing variety with clarity The painting Morning Light at Marple Locks was born from one of those early winter mornings