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Paul Minter demonstrates the painting of a still life after Chardin, using
Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng
SOMETIMES MAKING LIFE SIMPLER FOR YOURSELF and avoiding overthinking a process gets you further. In painting terms, using flat colours does exactly that and it may even prove to hold the key to more c
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e
Autumn brings a splash of golden warmth, when leaves start transforming from green to rich golds and russet reds. It can be quite daunting to know where to start when interpreting a mass of foliage wh
THIS PORTRAIT BEGAN LIFE as a pile of old magazines: pages full of colour, text and typography just waiting to be reimagined. I’ve always loved how collage can transform the ordinary into something co
My life in the cheese world stemmed from a geeky fascination with microbial life and how those living microbes can change a food product. I started painting through a fascination with soil microbiolog