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Paul Minter demonstrates the painting of a still life after Chardin, using
DRAWING IS GENERALLY where your practical artistic journey begins. A pencil or pen and a sheet of paper is all you need to doodle away. Outlines clarify information, making it easy to access the infor
I once painted at a local primary school to demonstrate how an artist works. One little girl, aged eight, watched me, glued to my side Towards the end, she said: “I get it. First you do it all roughly
Painting a street scene in acrylics can be tricky, as you contend with rapid drying times and trying to capture too much detail. If your pictures look flat or confused, try to remember that acrylic su
I want to pass on my expressive approach to painting still lifes from observation using mixed media. I find this way of working freeing and fun. When a painting is started with an attitude of freedom
40 years ago, I was first introduced to the art of small scale painting by a friend who painted miniature portraits. With her encouragement and seeing the variety of work at The Royal Society of Minia
With a strength of character that belied her fragile looks, Élisabeth Vigée Le Brun pushed the boundaries of royal portraiture and, after the French Revolution, challenged the loss of female influence via every frill and fold in her work