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Part 1 Keeping a sketchbook is essential, says Dr Susan Poole, for both draw
Painting wildlife is beset with difficulties not often experienced with other genres. This style of painting can be divided into many categories. One of the problems of painting wildlife is that anima
Any painter who has tackled the challenge of capturing wildlife will know it presents one obstacle more significant than any other: movement. Before the development of photography, this challenge was
Elephant colours Paynes Grey, Ivory Black, Alizarin Crimson, Burnt Umber, Cerulean Blue, Titanium White. Background colours Burnt Umber, Alizarin Crimson, Prussian Green, Titanium White, Cadmium Green
Can’t get out on safari? Let the wildlife come to you with these beautiful books. Amy Davies selects some recent releases for your shelf
I often see raised eyebrows when I mention that I love using soft pastels in my sketchbook. Watercolours are a popular choice, being portable and easy to use, but pastels and pastel pencils feel more
Take a good dollop of Victorian innovation, add a fistful of classics, season it liberally with creative genius and you’ll cook up the very British art of literary illustration. Carla Passino charts its history and discovers that it still thrives