Explore, develop and paint

Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig

‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number

The following demonstration puts an emphasis on practising several acrylic techniques. Enjoy working through these exercises in your sketchbook before you begin the demonstration painting in earnest.

The ocean is a fantastic subject; it encourages a loose, expressive style and teaches you how to capture light, energy and movement. If seascape painting is something youʼd love to try, I highly recom

Follow along as Eliza Ivanova explains her process for colouring artwork digitally without losing that innate sketchbook charm

Andy Pag improves his boat’s deck by spraying it with gel coat, and shares his tips for getting a perfect finish