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In this exclusive digital extra, Elena Parashko demonstrates how to paint a dolp
The following demonstration puts an emphasis on practising several acrylic techniques. Enjoy working through these exercises in your sketchbook before you begin the demonstration painting in earnest.
Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig
1 To start, draw the beak and eyes following the same techniques and using the same colours described in the Parrot’s Eye and Parrot’s Beak projects but on a slightly smaller scale. Use the same techn
‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number
SOMETIMES THE INSPIRATION FOR YOUR NEXT PAINTING can be right in front of you – literally. Trying to find the correct subject with great lighting and composition is quite an art: a lot of images won’t
Follow along as Eliza Ivanova explains her process for colouring artwork digitally without losing that innate sketchbook charm