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Part 2 Draw and paint a scene from Scotney Castle using just a handful of colours,
AT THE HEART OF MY OWN PRACTICE lies observation and my wish to capture atmosphere of the place, wherever that may be. To achieve this, I like to work en plein air observing the new scenes and alla pr
Watercolour painting requires planning. Most paintings are done in layers, working from lightest to darkest and using the white of the paper as a highlight. So how do you approach a media that is hard
A lovely old cow field barn, set against snow-covered hills somewhere in upper Swaledale: how could I resist? I’ve lost count of the number of barns I’ve drawn and painted over the last few years, but
During my recent visit to London, a sudden downpour completely transformed the energy of Piccadilly Circus. While others hurried for cover, I stood mesmerised by how the rain softened the city’s sharp
Put simply, tone helps the viewer decode what is in a painting by delineating shapes and describing surfaces by the amount of light reflected from them. A variety of tone can be interesting and create
Creative instinct and a considered tonal palette have proved a winning combination in the calm but colourful family home of artist Andrea Curtis