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Part 4 Using transport as a theme Tim O’Brien demonstrates how to capture speed
How do you balance the realistic and stylistic in a painting? I like to combine realistic depictions of a landscape with stylistic flourishes that make it a personal vision. My imagery is a visual dia
DRAWING IS GENERALLY where your practical artistic journey begins. A pencil or pen and a sheet of paper is all you need to doodle away. Outlines clarify information, making it easy to access the infor
Personal taste in art is highly individual. It is often determined by populism, monetary value, point in time and trend. It is also conditional to subject matter, medium, style, colour, mood, detail,
BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water
I STUDIED AT GOLDSMITHS AND THEN CENTRAL SAINT MARTINs in London, where I was tasked with capturing the energy of the city. These elements of vitality and motion have remained an integral part of my w