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Part 1 How to choose the right media for your subject, by Tony Ho
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e
SOMETIMES MAKING LIFE SIMPLER FOR YOURSELF and avoiding overthinking a process gets you further. In painting terms, using flat colours does exactly that and it may even prove to hold the key to more c
Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from
THIS PORTRAIT BEGAN LIFE as a pile of old magazines: pages full of colour, text and typography just waiting to be reimagined. I’ve always loved how collage can transform the ordinary into something co
Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng