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Part 3 How to mix and apply the colours of autumn, with Tony Hogan
I’VE BEEN QUITE CAPTIVATED BY URBAN LANDSCAPES LATELY. After completing a small series of paintings around Camden Lock in June – which I dubbed The Great Graffiti Search in my filmed walkthrough episo
The reference was taken on Stanage Edge in my local Peak District. Here we are looking slightly down a gully with a small stream flowing away from us. The landscape opens up in the distance, bathed in
Peter Marriott discusses simple ways of capturing the look of the most romantic of seasons.
I want to pass on my expressive approach to painting still lifes from observation using mixed media. I find this way of working freeing and fun. When a painting is started with an attitude of freedom
River, meadow and wood converge around an old mill in Hampshire, where changing vistas create a bond between garden and landscape
40 years ago, I was first introduced to the art of small scale painting by a friend who painted miniature portraits. With her encouragement and seeing the variety of work at The Royal Society of Minia