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How to thrive on the knife edge of failure, by Helen Carter
DRAWING IS GENERALLY where your practical artistic journey begins. A pencil or pen and a sheet of paper is all you need to doodle away. Outlines clarify information, making it easy to access the infor
It’s hard to define what it is about a subject that makes you chose it as a starting point. This painting of a cat is an interesting example. Animals are not my usual subject matter but as soon as I s
LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let
What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl
We discover the secret recipe behind the illustrator’s unique style and how she uses her sketchbook as a medium to test out new tools
I’VE BEEN DEVELOPING A PORTRAIT STYLE of painting that combines realistic female characters in surrealistic backdrops. The women are usually built through a collage-style process; borrowing eyes, nose