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Tim Fisher puts these vibrant watercolour mark
‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number
This second article further explores the idea of using subtle drip marks to form atmospheric structures in paintings, which we saw in last month’s edition. Paint drips can be encouraged into wonderful
Gouache is a versatile, opaque medium providing great covering power and the ability to correct errors very easily. The range of colours is relatively small compared to other media, but gouache colour
Step 1 See last month’s issue for a detailed look at how to draw this scene. Use either pencil first, or go straight in with a permanent ink pen. Step 2 THE BUTTERCUPS 1 Prepare pools of: • A dilute t