Freedom to paint in the open air

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

Years ago, my eyes were opened to the economy and power of watercolour when I saw ‘View from Monte Mario of the River Tiber’ by Claude Lorrain in the British Museum. You can still relive the energy an

Years ago, my eyes were opened to the economy and power of watercolour when I saw ‘View from Monte Mario of the River Tiber’ by Claude Lorrain in the British Museum. You can still relive the energy an

AT THE HEART OF MY OWN PRACTICE lies observation and my wish to capture atmosphere of the place, wherever that may be. To achieve this, I like to work en plein air observing the new scenes and alla pr

I just adore street scenes, I am fascinated with the colours the shapes and the atmosphere. Streets are different all over the world. I love the interaction with people and the energy. This project wi