Develop & experiment

‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number

Sometimes the sky in your painting can be quite plain and isn’t meant to be a major part of the subject matter. On other occasions, however, it may be the subject itself or create drama and contrast i

In my opinion, British summers are rather fantastic, especially when spent in a garden. Even if you’re not naturally green-fingered, being a painter gives you a wonderful opportunity to enjoy and enga

This second article further explores the idea of using subtle drip marks to form atmospheric structures in paintings, which we saw in last month’s edition. Paint drips can be encouraged into wonderful

I love to take a sketchbook with me when I’m out in the countryside. I can make detailed drawings, quick watercolour sketches, or add just a few brief marks with a pencil or pen to remind me of the sc

Gouache is a versatile, opaque medium providing great covering power and the ability to correct errors very easily. The range of colours is relatively small compared to other media, but gouache colour