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Part 1 David Webb discusses reference photos, sketches, colours and
I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e
Every painting’s varying subject matter and scale offers us distinct opportunities and challenges. Before I start any project, I like to consider what I want to convey, what opportunities and challeng
Autumn brings a splash of golden warmth, when leaves start transforming from green to rich golds and russet reds. It can be quite daunting to know where to start when interpreting a mass of foliage wh
Old buildings tumbling into decay have always fascinated me as a painting subject, and adding that time-worn, tatty appearance can infuse your work with an extra dimension that will increase its appea
DECADES MAY HAVE PASSED, but Norfolk still has a claim on David Riches. Wooden sailing boats on the Broads, sunlight on the water, the quiet countryside – they still appear in his work. “If I see a tr
Being in the right place at the right time can be more important than long hours,