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Part 2 Following last month’s preliminary drawing and colour-mixing exe
In my opinion, British summers are rather fantastic, especially when spent in a garden. Even if you’re not naturally green-fingered, being a painter gives you a wonderful opportunity to enjoy and enga
SOMETIMES THE INSPIRATION FOR YOUR NEXT PAINTING can be right in front of you – literally. Trying to find the correct subject with great lighting and composition is quite an art: a lot of images won’t
A lot of people who are very good painters still hanker for a looser, more abstract approach to painting landscapes, but how do you stop yourself from wanting to copy every detail of your source photo
‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number
This second article further explores the idea of using subtle drip marks to form atmospheric structures in paintings, which we saw in last month’s edition. Paint drips can be encouraged into wonderful
The unique landscape of Dartmoor is the beautiful canvas that inspires Babs Behan to create exquisite designs with natural dyes from foraged or home-grown plants