Wild at heart

THIS OIL PORTRAIT OF A PIG is part of my ongoing exploration of animal expression and personality I’ve focused on since 2018. Animals have always been my passion, and I find deep joy and creative ener

It’s hard to define what it is about a subject that makes you chose it as a starting point. This painting of a cat is an interesting example. Animals are not my usual subject matter but as soon as I s

LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let

What paints do you favour and why? I use mostly Golden Heavy Body or Fluid Acrylics. The colour is phenomenal and much stronger than other makes. Mixed media technique is another favourite: I can incl

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

I once painted at a local primary school to demonstrate how an artist works. One little girl, aged eight, watched me, glued to my side Towards the end, she said: “I get it. First you do it all roughly