Snow-filled scenery

I STRUGGLED INTO MY LAYERS, picked up my light sketching kit and off I went up into the hills behind where I live. I wasn’t the first to arrive; halfway up the hill I could already hear the cries of e

Old buildings tumbling into decay have always fascinated me as a painting subject, and adding that time-worn, tatty appearance can infuse your work with an extra dimension that will increase its appea

DECADES MAY HAVE PASSED, but Norfolk still has a claim on David Riches. Wooden sailing boats on the Broads, sunlight on the water, the quiet countryside – they still appear in his work. “If I see a tr

THIS STEP-BY-STEP LOOKS AT RECESSION, along with the creative use of opaque White Gouache, which is usually applied to the dry surface to reinstate or create highlights. However, here it works beautif

Into the white - negative painting for dramatic brightness This time I am looking at uses of ‘white’ paper in a painting to suggest a light source, exploiting the benefits of light bouncing back from

‘Houses of Parliament’ series by Claude Monet