10 mins with… becky thorley-fox

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

Unlike the shelter of a studio -where the light is steady, the wind absent, and the kettle within reach - there is no such control outdoors. Instead, it offers participation: you don’t simply observe

AS WE NAVIGATE AN EVER-ACCELERATING WORLD, we’re swept up in the rush of modern life, distracted and rarely stopping to see the beauty around us. With her paintings, Claire Castle encourages us to pau

Years ago, my eyes were opened to the economy and power of watercolour when I saw ‘View from Monte Mario of the River Tiber’ by Claude Lorrain in the British Museum. You can still relive the energy an

Interior architect and design director Willow Kemp explains why the New Forest has stolen her heart

To me, the most important thing about a painting is why. Why do I want to paint this subject? Is it because the lighting on the subject is wonderful? Is it because I just love the subject? Is it becau