Sculpture is the art form being embraced by the interior-design world and it’s more accessible – and transformative – than you think
what is sculpture?’ ponders American potter and designer Jonathan Adler. He’s asking because this once-rarefied genre has had something of an overhaul. ‘People are taking the idea of art off the walls – we’re entering into a fabulous free-for-all.’ What’s more, he adds: ‘Sculpture used to be the preserve of the wealthy, but there’s been a huge democratisation and you can now get it at all price points – this is the era of the great blurring.’
Indeed, more and more homes are being decorated with sculpture – and in innovative ways. It’s actually essential with modern architecture, notes interior designer Georgia Collett, who turns to sculpture when decorating open-plan spaces with vast windows and fewer walls. ‘You can’t hang a painting in the middle of the room in the same way.’ What’s more, even if you do have plenty of wall space, your bookshelves probably also need filling. ‘The move away from physical books has opened up a huge space,’ says Jonathan.
The rise of sculpture in homes is in part thanks to the fact that we can now engage directly with artists on Instagram, explains Polly Bielecka, the London gallerist and founder of online sculpture boutique Sculpture Source. ‘These visual platforms have helped the avant-garde become more accessible.’
Being sculpture-literate will only raise your interiors game. ‘Sculpture has more presence than paintings or photography,’ says Hubert Zandberg, the London-based South African interior designer. ‘When you have to physically negotiate a sculptural piece, it demands your attention; it becomes dynamic.’ In addition, says Georgia: ‘It adds layers and texture to a room and moves your eye around the space.’ And it lends an emotional dimension, says Karin Meyn of the Dutch design firm Piet Boon, ‘Whether it’s stirring emotions, creating intrigue or simply bringing joy, it can be a defining element of a room’s ambience.’
The major shift here is that sculpture ‘doesn’t have to be “art sculpture”,’ Hubert explains. ‘It could be a beautiful stone, a massive crystal, an enormous conch shell; it could be ceramics, or basketry, or a standing globe, or an antique urn.’ Meanwhile, Georgia says she’s drawn to ‘organic forms and materials, either taken from or inspired by nature’. A tactile quality is also good, she adds. ‘“Hands off” feels a bit “art gallery”.’And it doesn’t need to be massive, says Polly. ‘There’s a misconception that sculpture must always be a luxury – it can be affordable, with smaller, shelf-sized sculptures packing a punch and bringing pleasure.’
