Cappella Amsterdam; Noord Nederlands Orkest/ Daniel Reuss Pentatone PTC5187489 72:42 mins ‘He always was and still is ahead of everybody.’ The words of Stravinsky’s musical assistant and colleague, Ro

Catapult Opera; Talea Ensemble/Neal Goren Pentatone PTC5187492 99:63 mins The history of Nadia Boulanger’s only full-length opera is a tortuous as Gabriele D’Annunzio’s libretto, in which Alexandre an

Kammerorchester Basel/Giovanni Antonini Alpha ALPHA1092 76:29 mins The most familiar of the symphonies here, if only because it has a nickname, is No. 55, whose ‘Schoolmaster’ title arises out of the

Andrey Gugnin (piano) Hyperion CDA684712 83 mins This album of Russian ballet transcriptions sparkles like a glass bauble hanging amidst the fairy lights. Tchaikovsky and Stravinsky wrote so colourful

National Symphony Orchestra/ Gianandrea Noseda NSO NSO0022 75:12 mins Mahler’s mad-cap Seventh is the toughest of his symphonies to conceptualise and to execute. Lacking any explicit programme, two of

Works by Bowie, Crumb, Brahms, Mahler, Wolf, Schubert, Clarke et al Olivia Vermeulen (mezzo), Jan Philip Schulze (piano/synthesizer), Bernd Oezsevim (percussion) Challenge Classics CC720038 67 mins Th