Sarah Ditum on Pop JAMES GLOSSOP/OPERA NORTH ● ...

ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But

PRE-1986, SCANDINAVIAN ROCK was a minor import for the U.S. — while the sluggish international sales of Europe’s first two albums suggested the Swedes were doomed to their domestic market. But as guit

VAN HALEN WAS the world’s biggest rock band at the beginning of 1985. Their 1984 album had sold more than five million copies in the U.S., reaching Number 2 on the Billboard 200 albums chart (their hi

In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock . “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

IT WAS THE summer of 1985, and Johnny Marr was a man out of time. Three years earlier, while still a teenager, the guitarist had co-founded the Smiths in Manchester, England, with vocalist Morrissey (